Thursday, July 22, 2010

The Portrait Cafe

When I visit the National Portrait Gallery I quite often take time out in the Portrait Cafe in the basement if I'm going somewhere else afterwards.  They have nice food and it's almost always quiet and peaceful.

 The Portrait Cafe
11.5" x 8" pen and sepia ink and coloured pencils
copyright Katherine Tyrrell

It also has this very curious design insofar as it's long and thin and is the shape of the space between the railings and the building at ground floor level.  The wall seems to be some sort of polished concrete and the roof is glass and that's the only light into the space.

It's a bit of a challenge to draw because all your normal mental measures of what's 'normal' don't apply!

This sketch reminds me of a bit of a break through moment for me.  This was when I realised that flat surfaces actually look more normal if they're not portrayed as having only one colour.  There's colour variations in every flat surface of you look hard enough.

I forget how many colours there are in the wall - but it's at least six and probably nearer 10.

Sunday, July 18, 2010

A Summer Sunday Sketching West Smithfield

This post was very nearly called "why I love sketching from cafes".

Henry VIII Gate, St Bartholomew's Hospital
8" x 10", pen and sepia ink and coloured pencils in Moleskine Sketchbook
copyright Katherine Tyrrell

I get a table and chair and drinks to order - plus it's very "conveninent" if I have too many drinks!  Then there's the ear-wigging aspect which can often be very entertaining.  This morning I got a complete unexpurgated analysis of the politics of an architects office and the ramifications of doing PR for the LibDems.  It's amazing how people think you go deaf when you're sketching right next to them!

This morning, I was sat outside Carluccios in West Smithfield this morning.  For the first sketch, I had a cappuccino and sat to the right of the door looking towards St Batholomew's Hospital and sketched the Henry VIII Gate into the Hospital. 

Here's a little about the history of Barts from the hospital website - and an explanation for why Henry VIII should have a Gate named after him
It was founded, with the Priory of St Bartholomew, in 1123 by Rahere, formerly a courtier of Henry I.
Refounded by Henry VIII, who signed an agreement granting the hospital to the City of London. The Priory was closed as part of Henry VIII’s dissolution of the monasteries in 1539, and although the Hospital was allowed to continue, its future was very uncertain as it had no income with which to carry out its functions. The citizens of London, concerned about the disappearance of provision for the sick poor, and alarmed at the possibility of plague breaking out, petitioned the king for the grant of four hospitals in the City including St Bartholomew’s. Henry finally relented; near the end of his life he issued two documents, one a signed Agreement dated December 1546 granting the Hospital to the City of London, and the other Letters Patent of January 1547 endowing it with properties and income. Along with Bethlem, Bridewell and St Thomas’, St Bartholomew’s became one of four Royal Hospitals administered by the City.

For the second sketch, I picked up my stuff and moved to the left of the door and had another cappuccino - followed by lunch of Insalate di Mare (Mediterranean prawns, squid rings and mussels in a light lemon oil and chilli dressing served on mixed leaves - and very nice it was too!) - and looked left to sketch Smithfield Market.

I sketched Smithfield Market in the Spring - see The Courtauld, Old Bank of England and West Smithfield (April 25 2010) - and I this means I need to come back in the Autumn and Winter to sketch it again.

Smithfield Market on a Summer Sunday
11" x 17", pen and sepia ink and coloured pencils in Large Moleskine Sketchbook
copyright Katherine Tyrrell

This is the "original sketch" which took a little over an hour.  I'll probably continue to work on it to finish off the tree and the sky and deepn some of the values.  Plus this scan is looking a bit weird and needs sorting!

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Tuesday, July 13, 2010

Charles Rennie Mackintosh's sketches of Northern Italy

The Glasgow School of Art has developed a wonderful website which allows us to see the sketches of Charles Rennie Mackintosh (1868-1928). 

I adore Mackintosh's drawing style and can stare at his drawings and sketches and paintings for hours and hours - so finding this site is very special for me!


The Northern Italian Sketchbook is a comprehensive website, created by Glasgow Arts Scool and funded by The Arts and Humanities Research Council [AHRC], offering:
Follow the links (above) to explore Northern Italy through the eyes of the celebrated Scottish architect Charles Rennie Mackintosh (1868-1928) during his sketching tour of the Continent in 1891. Compare his superb sketches with present-day photographs from the same locations, and retrace his steps with our interactive 19th century Baedeker maps

The Sketchbook contains drawings from the later part of Mackintosh's tour, beginning with Verona. It covers
Como, Cathedral, studies of window and two finials
Charle Rennie Mackintosh - Northern Italian Sketchbook
  • Milan (28 June-6 July); 
  • Pavia (7 July-?); 
  • Certosa di Pavia ( probably several days around 12 July); 
  • Paris and Chateau d'Ecouen (late July?); 
  • Antwerp (late July?). 
It also contains several pages of designs for the Glasgow Art Club (1892-3) and the Glasgow Herald Building (1893-5).

If you use the search facility, it also shows you photos of the place today.

Most of the sketches are in pencil and some are now a tad faint.  However there are a few where colour has been added in watercolour.  He doesn't draw people - he draws buildings and most particularly he draws bits of buildings.  He's working out how the structure and ornamentation work.

What I like about is as a facsimile sketchbook is it shows you exactly what a real sketchbook looks like - even one kept by somebody who is technically very proficient at drawing.  It has all the unfinished sketches and the ones that went wrong and the bits of this and that which make it very real for me.  It's also very apparent, as one might expect, that he loves drawing architectural details.  He fills pages with unpicking and reassembling the twirly bits!

Finally, I have to add that I am very impressed by the Glasgow School of Art.  They appear to be one of the few art schools in the UK which have really grasped the potential of IT and the internet for sharing the riches of our artistic heritage.  Often, people start out on a path to learning about art because of the images they have seen and have been able to study.  I'm very grateful for their enlightened approach which allows others to share  and be inspired by Mackintosh's talents and skills in drawing.

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