Showing posts with label East London. Show all posts
Showing posts with label East London. Show all posts

Wednesday, January 27, 2016

London Urban Sketchers at Canary Wharf - 16 January 2016

On Saturday I led the London Urban Sketchers Group's visit to Canary Wharf (see UPDATE: re Let's Draw Canary Wharf 16 January 2016

These are my sketches. I first took people to see the amazing sky garden at Crossrail Place where the vegetation has really bedded down since it opened last May.

This was my first sketch of the day

My first sketch was of Poplar DLR Station - from a distance


Sketched through one of the holes in the roof of Crossrail Place

I then turned my attention to the sky garden

I drew in pen and ink on the spot
- and added some colour when I got back home
Dicksonia Antartica at Crossrail Place in Canary Wharf

 - it was just above freezing on the day and I was greatly amused by the name of the tree ferns!
We shared our sketches at lunchtime in Jubilee Place - the warmth was much appreciated


London Urban Sketchers - lunchtime at Jubilee Place undergound shopping mall

This is when I discovered there was a sketch of me sketching my first sketch!

Tuesday, December 30, 2014

Trinity Buoy Wharf

I've only just realised that I forgot to post my sketches from the Urban Sketchers London sketchcrawl at Trinity Buoy Wharf on 16 November 2014.

The prow of the red Lighthouse Ship at Trinity Buoy Wharf
- next to where the River Lea enters the River Thames
- with the Emirates Cable Cars in the background
As always the prospect of trying to scan an A3 spread across two pages in an A4 sketchbook has me thinking twice before doing so. In the end I tried photographing with my new iPhone instead - which wasn't perfect but has the merit of at least getting these sketches to appear here with minimum fuss!

The above sketch was done from inside Fatboys Diner - while Suzanne du Toit and James Hobbs sat the other side of the table. It was drizzling outside and a number of us took refuge inside the Diner!

Suzanne du Toit and James Hobbs sketching opposite me in Fatboys Diner
In the morning I was drawing Fatboys Diner - and the other end of the red lightship while testing my new Faber Castell Albrecht Durer watercolour pencils in my Stillman & Birn Zeta sketchbook (ie smooth surface and amenable to water washes).

This was the result - it's sadly unfinished due to the drizzle which started. I can cope with drizzle and have sat and sketched under an umbrella before now while using ordinary coloured pencils - but it's a bit fatal with watercolour pencils - they have a very unpredictable impact!

Fatboys Diner and the big red lightship - at Trinity Buoy Wharf
- I've used water on the red on the diner
- but the rest of the sketch is watercolour pencils untouched by water

Two things I learned:
  • the Albrecht Durers work well with the Zeta Sketchbook when dry
  • when the pencils are wetted, the saturation of colour is very good.
I need to try them again on a subject where there is more scope for colour mixing on the paper.

Saturday, November 15, 2014

Sketching a lighthouse and lightships in London (Urban Sketchers London Sketchcrawl 16th November)

Tomorrow lunchtime I'm going to go to a place not far from me to see a lighthouse I never knew existed. It is in fact the only lighthouse in London - and it's at Trinity Buoy Wharf in East London, which is situated at the confluence of the River Lee and the River Thames.

Plus there's

  • a couple of lighthouses , 
  • a pier with a good view of the O2, a container city and 
  • an American Diner - a painting of which won the Sunday Times Watercolour competition this year.

Annotated aerial view of Trinity Buoy Wharf and sketching opportunities
If you want to find out more about the Sketchcrawl and other events which form part of the Recording Britain events tomorrow - see What to see and sketch on Sunday at Trinity Buoy Wharf on the Urban Sketchers London blog

What: Sketchcrawl
Where: at Trinity Buoy Wharf. Meet at The Electrician's Shop Gallery, Trinity Buoy Wharf, 64 Orchard Place, London E14 0JY
When: 12 noon - 4pm on Sunday 16th November
How to get there: it's not difficult - see the blog post for details or the TBW website

Tuesday, April 16, 2013

Chinese Pagoda and Fountain in Viccy Park

I sketched outside yesterday - for the first time in a long time.  First the weather earlier this year was bad, then I experienced by second attack of this year's nasty bug and spent five weeks with an extremely bad cough which started on the least exertion.  Then it snowed - and was freezing cold for weeks and then I had a third attack of the nasty bug!

Plus I've mislaid my small Moleskine which does have some sketches of interior scenes on the few occasions I managed to get out.

Which is by way of explanation for why it's taken such a long time to post a new plein air sketch.

Victoria Park - West Lake: Chinese Pagoda and Fountain, pen and ink and coloured pencils
Victoria Park - West Lake: Chinese Pagoda and Fountain
11" x 16", pen and ink and coloured pencils in A4 Moleskine Sketchbook
copyright Katherine Tyrrell
I met Olha Pryymak in the Park yesterday morning for a cup of tea and afterwards sketched this scene from one of the newly restored park benches.  It's unfinished but I'd got to the stage where I was getting chilly and tired and decided it was time to get myself home and into the warm.

You can see the very same fountain and lake  in some of Olha's paintings on her website and her Facebook page

Sunday, October 07, 2012

Greenwich Heritage, Canary Wharf and the O2 Dome

Following on from Sailing ships and the City of London from Greenwich Park, here are two more double page spreads which made up my Greenwich Park Panorama

The middle section looks:
  • over the Equestrian Arena in Greenwich Park constructed for the Olympics and 
  • past the Queens House and the Old Royal Naval College which form an important part of "Maritime Greenwich" (the Royal Borough of Greenwich's UNESCO approved World Heritage Site)
  • across the River Thames (past the Thames Sailing Barge with its rust red sails)  
  • to the Isle of Dogs and the new business centre at Canary Wharf.  
If you keep going past the tall office buildings at Canary Wharf you'd come to where I live in East London!

Greenwich panorama sketch towards Canary Wharf11 x 16" pen and ink and coloured pencils
copyright Katherine Tyrrell
You can also see this sketch on Flickr where I've annotated it with the names of seven structures,  places and objects in the sketch.  You have to love your cursor over the picture to see the white line boxes which relate to each item which has been annotated.

The Eastern 'downstream' section of my panoramic sketch is below.  It's looking over North Greenwich and Stratford on the other side of the Thames.

Greenwich panorama sketch towards O2 Arena (former Millennium Dome)11 x 16" pen and ink and coloured pencils
copyright Katherine Tyrrell
Ditto - the sketch on Flickr hows you what you can see - including the Olympic Stadium in Stratford.  Move your cursor around the Flickr Version to see the annotations explaining the buildings - and see if you can find the Olympic Stadium!

If you want to visit Greenwich and also sketch this view see the map of Greenwich Park (pdf file).  I was sat at the end of Blackheath Avenue just to the right of the Royal Observatory


Thursday, August 23, 2012

Pavilion Cafe, Victoria Park

This is quickie " cup of tea" sketch - on my way back from yesterday afternoon's appointment with the Osteopath.

Pavilion Cafe, Victoria Park - August 2012
8" x 10" pen and ink and coloured pencils in Moleskine sketchbook
copyright Katherine Tyrrell
This is the Pavilion Cafe in Victoria Park just to the west of the Olympic Park.  A lot of my sketches of this lake are done from the jetty which sticks out into the lake which has high stools and a ledge just big enough for a cup of tea and a sketchbook.  In the summer, the awnings go up and the tables and benches all come outside.

Just as I was about to sit down on the park bench with my cup of "Builder's Tea" (£1), the Coots did what I always think of "playing jets landing on an aircraft carrier" - landing and skidded to a halt on the surface of the lake.

I held the image in my head until I could get my sketchy birds and their wake down in the sketchbook.

Sketches of the Pavlion Cafe: 
Sketches from the Pavilion Cafe:
Pavilion Cafe: Crown Gate West, Victoria Park, Old Ford Road, London E3



Friday, August 10, 2012

Rowing Frenzy in Victoria Park

Ever since GB Rowing Team won their medals, something of a "Rowing Frenzy" seems to have erupted on the West Lake in Victoria Park in East London - located across the River Lea  to the west of the Olympic Stadium in the Olympic Park

Rowing boats in Victoria Park
pen and ink and coloured pencils in Moleskine Sketchbook
I sat sketching this scene on Wednesday while drinking a cup of tea on the deck extension at the Pavilion Cafe next to the West Lake, following my visit for treatment at the Osteopath.

There were an awful lot of teenage boys and families keen to get on to the lake and demonstrate their rowing ability - although precious few demonstrated any ability at all!  I think rather a lot people underestimated how much skill is needed to row a boat - and to row one fast!

The only one who seemed to be any good was a small girl who actually understood that the blade of the oar actually needs to be pulled through the water as opposed to dabbed in and out and splashed around!  Various boats were going round and round in circles with varying degrees of shouts and screams from their occupants!  The pedalos looked to be a much safer option!

I've never visited an Osteopath before but I have to say the problems in my neck and shoulder did feel very much better the next day.  It's still not solved the horrendous pains and pins and needles in my arm - but they definitely seem to be linked to this area.  I'm becoming quite an expert on the anatomy of the radial nerve and how it malfunctions!

Links:




Saturday, July 21, 2012

Sketching the Olympic Park

It's less than week to the opening of the Olympics and I thought it was about time I sketched the view of the Olympic Park from the 3rd floor Gallery overlooking the Park in the John Lewis Store at Westfield Stratford.

The Olympic Park from the Third floor Gallery in John Lewis Westfield Stratford
(left to right: The Entrance to the Park; The Aquatics Centre, the Orbit and the Olympic Stadium)
pen and ink and coloured pencils in NPG Seawhite Sketchbook
Yes, that is a big black cloud up above and yes, I did get wet on the way home! What's new?

The skies are very difficult to draw this summer.  They're either incredibly grey and uninteresting or it's raining cats and dogs and you don't want to be out sketching!

I'm trying out a new sketchbook.  This one is slightly bigger than a Moleskine and the paper has more of a tooth although still smoother than most.  It's made for the National Portrait Gallery by Seawhite of Brighton and I think the paper is a heavyweight cartridge paper.  It looks very similar to this one.

It took pen and ink and coloured pencil fine - however I still prefer the Moleskine paper.  I think this one would be better for those wanting to use watercolour.

Saturday, April 28, 2012

The gardens at the Geffreye Museum

Yesterday I visited the Geffreye Museum with the Drawing London Group.  This is a museum of the home and garden between 1600 and the present day.  It's situated in Hoxton - inbetween Kingsland Road and the new Hoxton London Overground Station (opened July 2010).

The weather wasn't brilliant (constant showers) but the view of the period gardens at the rear of the museum from the cafe was - so I stayed inside during the morning and was able to sit comfortably, spead by pencils on a table and drink cups of tea!  Bliss!

After a very satisfactory lunch, I then visited the exhibition and then sketched in the garden in afternoon - with a few false starts due to the rain.

Both the sketches of gardens at the rear of the Geffreye Museum in this post are straight off the page - and, although drawn, they are not quite finished in terms of the colouration of the trees and vegetation which still needs to be completed.  Basically the edges are a lacking a bit of colour.

The Edwardian Garden

Geffreye Museum Gardens April 2012
Geffreye Museum Gardens - April 2012
20th Century Period Garden (Edwardian 1900 -1914) in foreground
pen and sepia ink and coloured pencils on Arches HP, 9" x 12"
copyright Katherine Tyrrell - all rights reserved
From the cafe I could see all the way down the gardens at the rear - but the one which was closest to me was the 20th century - Edwardian Garden.  I can see from the photos that I'll have to go back next month when the roses over the pergola should be in flower and the wisteria better developed.  I discovered that wisteria is very difficult to capture in coloured pencils - and the watercolourists were having the same problem

Click the next link (at the end of the quote) to see the list of plants in the garden.
This garden depicts a scheme featuring mixed borders full of herbaceous and traditional cottage garden plants, showing the influence of both Gertrude Jekyll and the garden designers and architects working with Arts and Crafts motifs. A pergola covered with wisteria and roses marks the entrance to this space.
Geffreye Museum: 20th century - Edwardian Garden
That funny dark pyramid structure in the middle is a Pelargonium Pyramid which is completely bare at the moment.  I spotted all the pelargoniums in the Victorian Greenhouse ready to plant into the structure.

The Herb Garden

Geffreye Museum Herb Garden - April 2012
pen and sepia ink and coloured pencils in Large Moleskine Sketchbook
copyright Katherine Tyrrell - all rights reserved
The Herb Garden is a walled Garden with a beds devoted to different aspects of a Herb Garden.

There are beds for cosmetic, medicinal, culinary, household, aromatic and dye plants.Geffreye Museum - Herb Garden
Hoxton used to be an area of market gardens and nurseries at the time the almshouses were built.
Hoxton, just across Kingsland Road in the parish of Shoreditch, was home to a group of extremely influential nurseries in the 17th and 18th centuries.Geffreye Museum
About the Geffreye Museum

Geffreye Museum - April 2012
The Geffreye Museum is located in almshouses which were in built in 1714 by The Worshipful Company of Ironmongers with a bequest from Sir Robert Geffrye, twice Master of the Company and former Lord Mayor of London.  The almshouses provided a home for c.50 pensioners for almost two hundred years.

Over time Hoxton became one of the most overcrowded and deprived areas of London and the Company decided to move the almshouses to better location.  The premises and the open space were initially sold to the Peabody Trust and afterwards to the London County Council - with a view to both preserving the buildings but also access to one of the few open areas of green space in the area.

The almshouses became a furniture museum - the local area being a centre for furniture-making.

The buildings are now Grade 1 Listed and the furniture museum has become a museum of the domestic home and garden.

Visiting the Geffreye Museum

Although I've visited the Geffreye Museum before it's always been by car at times when the Hackney parking wardens aren't stalking the streets!

I'd not realised before how easy and quick it now is to reach the Museum via public transport from where I live.  The opening of the new Hoxton Station and the connection of the East London Line to the rest of the London Overground network now makes it much easier to visit from places across London.  This is a map (pdf file) of the London Overground Network and all the stations across London which can now be used to reach Hoxton.

I shall certainly now visit more often - because of the plants in the gardens at the rear and the scope for peaceful sketching of gardens!

Links

The Ironmongers Company and the Almshouses

The Geffreye Museum

Wednesday, March 07, 2012

Willows on the Regents Canal

Willows on the Regents Canal
pen and sepia ink and coloured pencils on Arches HP, 28.5cm x 19cm,
copyright Katherine Tyrrell - all rights reserved
My postcards for A Postcard from My Walk have got bigger and bigger!

This January postcard - which now lives in France with Ronelle van Wyk (Africantapestry and Myfrenchkitchen).  I loved what she says about it in Willow Reflections.
I especially love the darkness of the reflections breaking up into softer tones and hues and more highlights and finally disappear into the lefthand corner, adding such lovely diagonal movement. I feel as if I'm slowly passing in a canoe, dragging my hand through the ripples and reflections.
These willows are in an area where the canal boats turn round and hence there's a bit more water than usual.  The colours in January in the sun are also very interesting - if you look hard!

Monday, November 21, 2011

A new Chinese Pagoda for Victoria Park

Construction of the new Chinese Pagoda in Victoria Park
8" x 10", pen and sepia ink and coloured pencils in Moleskine Sketchbook
copyright Katherine Tyrrell
The regeneration of Victoria Park in Tower Hamlets seems to have picked up a bit of pace after a lot of criticism of the way the project is being handled.  People have been very fed up with the loss of its amenity for local residents during the works - particularly those with children who have lost the use of both playspaces.  It seems like it's been going on forever......

The new Chinese Pagoda

The construction of the Chinese Pagoda is currently underway - along with the new Chinese Bridge.  It's a lot smaller than I was expecting (see The Pagoda at Kew Gardens - I go to Kew Gardens a lot!) - but read on and you'll find out why it is designed as it is.

It's been built on the reclamation of one of the original islands in the Lake - and having created a new island, it's also getting two new bridges as well as a Chinese Pagoda.  One is rustic and the other is going to be decorative metal painted in red.

It also seemed like a jolly good time to do a sketch of it!

Below you can see two photographs of the two bridges and the pagoda

Victoria Park: A brand new channel to a new island with rustic bridge and new Chinese Pagoda
copyright Katherine Tyrrell

Construction of Pennethorne Bridge to link island to rest of Victoria Park
copyright Katherine Tyrrell

What's a Chinese Pagoda doing in an East End Park?  Well it's certainly not a silly question!

The original Chinese Pagoda in Victoria Park

China opened up to the west during Queen Victoria's reign however there were still some considerable tensions - the first Opium War for example only finishing in 1842.

The following are some comments on the original Chinese Pagoda which was originally built as an entrance to the Chinese Exhibition in Hyde Park in 1842. Below are extracts from documents on the Internet - and it seemed like a good idea to record them alongside the building of the new Pagoda.

They explain why the pagoda is shaped as it is.

This is what the Illustrated London News had to say
THE CHINESE COLLECTION, HYDE-PARK CORNER
Upon the left-hand side of the inclined plane, extending iron Hyde Park Corner to Knightsbridge, and towards the extremity of St. George's Place, a grotesque erection has lately sprung up with all the cupidity which distinguishes the building operations of the present day. As the work proceeded, many were the guesses at the purpose for which it was intended; and, to feed the suspense of the many thousands who daily pass this thoroughfare, the work was covered with canvas until just completed. The structure in question is the entrance to an extensive apartment filled with "curiosities of China." In design this entrance is characteristically Chinese, and is taken from the model of a summer residence now in the collection. It is of two stories, the veranda roof of the lower one being supported by vermilion-coloured columns, with pure white capitals, and over the doorway is inscribed, in Chinese characters, "Ten Thousand Chinese Things." Such summer-houses as the above are usual in the gardens of the wealthy, in the southern provinces of China, often standing in the midst of a sheet of water, and approached by bridges and sometimes they have mother-of- pearl windows. Although the above building in raised from the pathway, whence it is approached by a flight of steps, it is somewhat squatly proportioned. But such is the character of Chinese buildings, so that when the Emperor Kesen-king saw a perspective view of a street in Paris or London, he observed, "that territory must be very small whose inhabitants are obliged to pile their houses to the clouds;" and, in a poem on London, by a Chinese visitor, it is stated,- "The houses are so lofty that you may pluck the stars."
courtesy of Victoria London website
Entrance to the Chinese Collection exhibition hall, St George's Place, c. 1842
This is an extract from British History Online - The Chinese Collection and St George's Gallery (demolished)
The mysterious structure which had attracted such curiosity was a replica of a Chinese summer-house or 'pagoda' at the corner of the way in to Old Barrack Yard (Plate 6a). This arresting object was the entrance to an exhibition of Chinese art and artefacts known as the Chinese Collection, which had opened to the public on 23 June. (ref. 43) The exhibition itself was in a new building back from the main road, and the pagoda, designed after a model in the collection, served both as a ticket-office and way in to the exhibition hall, which was reached up steps and through a vestibule or covered walk at the rear (Plate 11a).

The Chinese Collection had been amassed by an American merchant, Nathan Dunn (1782–1844), during his twelve years in Canton, and exhibited by him from 1838 at the Philadelphia Museum. In 1842—'at the suggestion of many of the most influential, scientific, and learned persons of the British metropolis and kingdom' (ref. 44) — Dunn brought the collection to England and opened it to the public in the specially constructed hall in Knightsbridge, which occupied part of the site of the former foot-guards barracks. With Dunn came William B. Langdon, the London-born curator of the collection and the author of a descriptive catalogue, who had known him in China. (ref. 45)

Both the hall and the pagoda were erected by the publicworks contractors Grissell & Peto, the pagoda at a cost of £800. (ref. 46) The pagoda stood about 19ft square, a 'somewhat squatly proportioned' wooden building with a single room to each of its two storeys. It was decorated in gold and bright colours— green roofs, and vermilion pillars with white capitals—and ornamented with brackets in the form of dragons. Over the doorway was a Chinese inscription signifying 'Ten Thousand Chinese Things'. (ref. 47) The hall, 225ft long and 50ft wide, was a plain affair externally (Plate 6a). Inside, it was largely taken up by a single lofty 'saloon', top lit and lined with pillars: 'a sort of Brighton Pavilion with permanent fittings'. (ref. 48)
I'm now wondering what sort of decorative finishes our new pagoda is going to have.

Monday, August 24, 2009

One lake x 4 views x 10 mins each

I tried a new experiment. I walked anti-clockwise around the East Lake in Victoria Park and did a small values sketch at each of the cour "corners". I was looking in a different direction for each and each took no more than 10 minutes. This is what resulted in a double page spread of my Large Sketchbook Moleskine.

Four sketches of the East Lake, Victoria Park
3.75" x 4.5" (each), pencil in large Moleskine sketchbook
copyright Katherine Tyrrell

I confess - I drew the frames for the sketches first so that I'd remember they all had to go on a double page spread!

The next part of the experiment was to try and see whether I could make anything of the value sketch in colour terms without the inclusion of any colour or any colour notes. Of which more in another post.

(PS. The other sketchercisers have been hard at it producing maps of their sketchercise routes using Google Maps - but I still need to do my sketchercise map for my walk in East London which involves the East Lake)

Monday, June 15, 2009

It's a watercolour.........


Willow Pond 14th June 2009 5.00pm
watercolour and coloured pencil in Conté à Paris sketchbook

copyright Katherine Tyrrell

.....but it's got coloured pencil on top as I'm not great at watercolour!

I was trying out a new sketching kit during a late afternoon sketch of a weed covered Willow Pond while sat on my new sketching stool on Heron Bridge. (See Ecology Park Pond series)
  • set of 12 large pans of Schminke watercolours
  • enormous brush - specifically chosen so I wasn't tempted to get detail oriented
  • Conté à Paris sketchbook - an old favourite, great paper for watercolour sketches
  • 2 pill tubs for water - haven't tried these before but they work fine
  • a few coloured pencils
  • pentel HB mechanical pencil - for initial layout
The big brush worked in terms of avoiding detail. Mixing watercolours was much faster as well plus it was great for working round edges and softening them up when used with clean water, however I think it'll take a bit of practice before I can use it really effectively.

The most difficult bit was trying to work out the mix for the very dark water. I was mixing complementary colours for quite a while before I hit on the perfect mixture which of course I now can't remember as I didn't write it down!

I did write a blog post A few tips about watercolour last year - such a pity I can't always remember them. It was originally written as much as a reminder for me as anybody else! I think I might need to print it out before I have another go.

Sketchercise: 5,509 steps 2.608 miles

Saturday, June 06, 2009

Herons, coots and goslings - grooming, housekeeping and babysitting

Coot Nest in Victoria Park
pencil and coloured pencils in Moleskine sketchbook
copyright Katherine Tyrrell

On Thursday I decided to take my sketchercise in the early morning and headed out for the walk up the Regents Canal to the Ecology Park Ponds and Victoria Park.

I was waylaid by some very demanding red poppies in the meadow grass of the Art Park but arrived at the Ecology Pavilion Roof at the same time as the heron arrived at Heron Bridge. Below you can see my photo of the heron coming into land on the bridge - he never gives me much warning and I was lucky to get this!

Bert comes into land on Heron Bridge
photo copyright Katherine Tyrrell

I'm afraid I have a habit of giving names to animals and birds that I see often. This Grey Heron has been named Herbert the Heron - or "Bert" for short. I think it's the same heron I see each time but I could be wrong.

He then proceeded to give himself an all over groom - all the time standing on one leg!

Bert takes personal grooming very seriously pencil in sketchbook
copyright Katherine Tyrrell

It took a couple of minutes for me to realise that this was going to take some time and that I could try sketching him as he changed posture - so I did - and you can see the results on the right.

I found when watching him that he had a number of standard moves - and a lot of it depended on how he held his neck and whether or not it was folded or in twisting mode

Tomorrow I'll post the drawing I did inbetween his changes of posture.

The second drawing (top) is of the coot nest which is right next to the Pavilion Cafe in Victoria Park. I can sit with my cup of tea on one of the outside benches and sketch this little family which are only about ten feet away. The most difficult bit was trying to work out how the ripples worked as the Mum and Dad busied themselves with housework and looking after the nest - which was of course now needs an extension as their kids are growing up fast and now need more room.

I love the way coots seem to find the largest things to put between their beaks so they can add it to their nest on the water. They are the soldier ants of the water birds!

Greylag Geese Goslings with Mum and Dad
photo copyright Katherine Tyrrell

Finally, a photo of the other group of birds which I've grown very fond of in the last few weeks and that's the greylag geese families which live in Victoria Park. The Mums and Dads are most attentive and are often found standing around their brood on one leg, while the babes have a quiet snooze. I think this brood outgrew their nest a while ago!

My Sketchercise totals for Thursday were 7,548 steps or 3.57 miles

Links: Ecology Park Pond project plus RSPB links to each bird

Thursday, June 04, 2009

Formans and Fish island

Talking Exhibitions
8.5" x 11.5", pencil and coloured pencils

copyright Katherine Tyrrell

Our final stop on the Drawing London Group outing to East london last Friday was to Formans on Fish Island.

Fish Island

Fish Island is an area which is a real backwater in East London - east of the Old Ford area of Bow and north of Old Ford Lock on the canalised River Lea.
Fish Island is bounded by the River Lea, the Hertford Union canal and the East Cross Route, and is so-called because of its street names (Roach Road, Bream Street, etc).
Hidden london - Fish Island
Formans

We were visiting Formans which is a brand new restaurant and part of a family of companies all dedicated to smoking and selling fish. How apt therefore to find that it's located on Fish Island!

We had the pleasure of visiting their new building last Friday. It's absolutely amazing. The whole building has been constructed on the principle of it being the shape and structure of a slice out of a salmon - and it's a very vivid pink on the outside!

What's interesting about Formans is that their previous home used to be situated right in the middle of what is now the new Olympic stadium. They were the very last company to leave the site and Lance Foreman the Chairman conducted a very long battle to stay as long as they could so that the business would survive and relocate into the new building which was specially built very close to their original site. The process was recently the subject of a BBC2 programme and has also been the subject of a number of newspaper articles such as this one from back in 2005 Up in smoke: The firm that lost out in the Olympics.

I guess, at the end of the day, due to the fight they put up they probably didn't lose out. Although apparently at the end, the construction people started building on the site before the firm had left and all the Forman's employees had to be escorted in and out of the ground - in hardhats!

H Forman's is Forman's Smokery. It's the oldest established smokery in the UK. It also smokes the salmon differently from the way it's done elsewhere. They use a very traditional London Cure which many think is the best there is. We could see down into the commercial kitchen area where they were prepping fish.

We were given a guided tour of the operation by Lloyd Hardwick, the restaurant's Executive Chef. and learned that there are three other companies - the restaurant which is new, a venue facility (also new and attracting much interest as it's the nearest one to the Games site!) and an online food delivery for its gourmet food products which has been going for a little while (check out the smoked fish!).

So what you may say. Well I would do too - until I recognised a packet of their salmon - which I'd last seen on display in Fortnum and Masons in Piccadilly and they only stock the very best. It turns out that Formans also ship their smoked salmon to top class hotels all around the world all round the world from Bangkok's Oriental to Sandy Lanes in Barbados. So if you've ever been fortunate to eat any this is where it comes from!
This is the legacy we are getting in advance. Formans is a shrine to smoked salmon
Boris Johnson,London Mayor
Lunch

Lunch was simply wonderful - as you can see from the photo. These were the starters and they were followed by a Gourmet Fish Stew with mustard mash for my main course. For which I have one word - Yummy!

Having eaten a simply splendid lunch I wasn't at all surprised to learn, when I looked at the website later, that Lloyd had learned his craft from the Roux Brothers and subsequently became the first Executive Chef of The Tate Modern.

It was great to see a photographic exhibition in the restaurant - photographs of all the industries and companies which were displaced when the Olympics moved in.

The restaurant is very interesting as it's just a javelin's throw from the new Olympic Stadium - which is very visible from floor to ceiling windows. They also have a very good fish-eye (what else?!) webcam on the roof of the building from which you can see the Olympic Stadium. We just made do with the view from the balcony where we sat to sketch after lunch

At the top and below you can see a couple of my quick "after lunch" sketches - when everything suddenly seemed to simplify much more easily into large shapes!

Drawing on the Balcony at Foremans
8.5" x 11.5", pencil and coloured pencils

copyright Katherine Tyrrell

All in all it was a splendid day out sketching, walking and eating.

...and at the end of the day out, all that was left to do was for me to walk home - down the very peaceful and almost rural Hertford Union Canal.

Links:

Tuesday, June 02, 2009

Old Ford Lock - and some ancient tales

Old Ford Lock, River Lea, East London
8.5" x 11.5", pencil and coloured pencils
copyright Katherine Tyrrell

This is a really ancient spot. There's evidence of both Bronze and Iron Age settlements along the River Lea as early as 2400 BC and also of a late Roman settlement around about Old Ford.

Old Ford
is an area in Bow in East London and it takes its name from the place where there was a natural ford. In Roman times this was the most downstream crossing point of the River Lee. It was very important because at this time the Lee was a wide, fast flowing river which flowed into the River Thames and the extent of tidal estuary stretched this far up river. There are in fact a lot of rivers in this area and the Olympic site sits in the middle of them.
The Bow Back Rivers are a mass of river channels which is said to have formed when King Alfred dammed the River Lea in order to trap the invading Vikings upstream.
Old Ford is also where a pre-Roman track crossed the river. This track went all the way from modern day Oxford Street in the centre of London all the way to Colchester in Essex which is 56 miles north east of London and is also the oldest recorded town in Britain and used to be the capital of Roman Britain for a time.

The River Lee was used to deliver agricultural products and pottery from Hertsfordshire and places further north to Roman London. At Old Ford the goods were transferred so that they could to continue their journey into London along the paved road by wagon.

In other words "Old Ford" is just about as old as it gets round here!

It gets better. The story goes that in 1110, Queen Matilda, wife of King Henry I, fell while crossing the ford while on her way to to Barking Abbey - more or less at this spot.

As a result she ordered that distinctive bow-shaped, three-arched bridge should be built over the River Lee - but a mile south of the area where she fell which meant that the roman road now turned south to go to the new bridge. The new bridge was a huge innovation and was described as The like of which had not been seen before.

around 1100, Queen Maud, wife of Henry I, commissioned the construction of Bow Bridge – which landed on the western, or London side of the River Lea at Stratford-atte-Bow (now Bow) and on the eastern side at Stratford Langthorne (now Stratford). One of the first arched bridges built in England since the Roman occupation, this bridge was a technological wonder for the period. The original bridge was demolished in 1835, at which time the great Roman Road from Colchester to London was diverted through Stratford.
In medieval times, "Stratford" means 'paved street over ford' - thus the 'bowed' design of the bridge led to the area where the bridge stood becoming known variously as Stradford of the Bow, Stratford of the Bow, Stratford the Bow, Stratforde the Bowe, and Stratford-atte-Bow' (at the Bow). It's now simply known as Bow but forms the eastern edge of the London Borough of Tower Hamlets.

For those of you who know Chaucer's Canterbury tales, you'll remember that Geoffrey Chaucer immortalised Stratford atte Bowe in the Canterbury Tales
Ther was also a nonne, a prioresse,
That of hir smylyng was ful symple and coy;
Hire gretteste ooth was but by seinte loy;
And she was cleped madame eglentyne.
Ful weel she soong the service dyvyne,
Entuned in hir nose ful semely,
And frenssh she spak ful faire and fetisly,
After the scole of stratford atte bowe,
For frenssh of parys was to hire unknowe.
Basically this means that the local priory had nuns who spoke French with a local accent. I suppose this could have been the forerunner of Cockney!

Old Ford Lock

Old Ford Lock is a paired lock and weir. It separates the River Lee Navigation (beyond the lock) which is the canalised river from the old River Lea (foreground). It's sited more or less where the ancient Ford used to be.

(Confusingly, there are also a whole series of locks on the Hertford Union canal which are also called Old Ford Locks - but more of those on another day as I walked home that way and I think I'll be going back to the sketch them!)

More prosaically, for those who can remember, it's also where The Big Breakfast House was located where The Big Breakfast was filmed. It was subsequently sold.
The show's greatest novelty was it's setting; a former terrace of 3 cottages in East London, once lived in by the lock keepers of the Old Ford Lock on the Lees Navigation Canal.
You can just see its roof above the trees on the right hand side - and you can see more in this slideshow which I found on the Internet. As the final slide says - just imagine Deep Purple played in that garden!
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This is the second of the sketches from my outing last Friday with the Drawing London group. I did it sat at the end of The Greenway - looking north. Hackney Cut (currently closed because of the Olympic Park development) is off to the right.

The first one was about Sketching the Olympic Park. The next one is about a property just past the trees and bang opposite the Olympic Stadium where we had lunch.

Sketchercise count: 29th May - 10,061 steps!

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