Tuesday, June 08, 2010

Embankment Pier and Thames at Charing Cross

Charing Cross Bridge & Parliament from Cleopatra's Needle, on the Embankment
11.5" x 17", pen and sepia ink and coloured pencils in Large Moleskine Sketchbook
copyright Katherine Tyrrell

My Drawing Group's latest expedition to draw London found us at the Victoria Embankment next to Charing Cross Station at the end of May.  It's an area I know extremely well and I've paced up and down it a few times trying to work out where Monet painted Parliament from.  

What you can see in the sketch are:
Where I was sat to draw this sketch

To draw this I was sat at the base of Cleopatra's Needle - which has a ledge which is just big enough to park a posterior.  The "A" marks the spot on this Google Map of the location of Cleopatra's Needle.

There's a terrace just below Cleopatra's Needle - but don't sit there if the tide is coming in as it comes all the way up the steps and floods the terrace.  A fellow sketcher had to move up the steps which come up from that terrace to the Embankment due to splashing from the wash of passing boats!

Cleopatra's Needle is a granite obelisk and was presented to the United Kingdom in 1819 by the ruler of Egypt and the Sudan in commemoration of the victories of Lord Nelson at the Battle of the Nil.  There are two other needles in New York and Paris. It is 68½ feet high, and weighs 180 tons.

Below is a description of the pair of Cleopatra's Needles in London and New York.
The pair are made of red granite, stand about 21 metres (68 ft) high, weigh about 224 tons and are inscribed with Egyptian hieroglyphs. They were originally erected in the Egyptian city of Heliopolis on the orders of Thutmose III, around 1450 BC. The material of which they were cut is granite, brought from the quarries of Aswan, near the first cataract of the Nile. The inscriptions were added about 200 years later by Ramesses II to commemorate his military victories. The obelisks were moved to Alexandria and set up in the Caesareum — a temple built by Cleopatra in honor of Mark Antony — by the Romans in 12 BC, during the reign of Augustus, but were toppled some time later. This had the fortuitous effect of burying their faces and so preserving most of the hieroglyphs from the effects of weathering.
Wikipedia - Cleopatra's Needle
You can see more of my sketches of London on the Travels with my Sketchbook in London page on my website.  London Sketchbook is a summary of all the blog posts about sketching in London.

Sunday, June 06, 2010

Sketching at the RA - Friends Room #7

 Sketching at the RA - Friends Room #7
8" x 10", pen and sepia ink and coloured pencils in Moleskine sketchbook

copyright Katherine Tyrrell

I haven't been posting a lot of late - and it's not that I haven't been sketching but rather that I haven't been scanning my sketches!

Lots of things to do meant some activities had to take a place in the queue and get done if I had the time.  So now having completely omitted to post in May, I'm on catchup! 

I spent a very interesting afternoon back in April at the 25th London Original Print Fair at the Royal Academy of Arts.

 The 25th London Original Print Fair
8" x 10", pen and sepia ink and coloured pencils in Moleskine Sketchbook
copyright Katherine Tyrrell

No scope for photographs - but I did sketch in the exhibition halls and - as per usual - in the Friends Room where I enjoyed my cup of tea and had a nice sit down on one of the sofas after wending my way round the very many stands.


The Friends Room sketch joins the series which I've been developing through trying to sketch people and their surroundings every time I visit - you can find links to the others in Interior landscapes with food - a Sketchbook

I'm going to be back at the RA next week - visiting a Friends Preview of the Summer Exhibition which opens to the public on 14th June

Tuesday, April 27, 2010

RI Exhibition at the Mall Galleries

Tea break at the RI Exhibition
8" x 10", pen and ink and coloured pencils in Moleskine Sketchbook

copyright Katherine Tyrrell

This afternoon I visited The 198th Annual Exhibition of the Royal Institute of Painters in Watercolours, which opened last week and continues at the Mall Galleries until 1st May.

It's a splendid exhibition - which will get a review tomorrow on Making A Mark

In the meantime, here's my sketch done during my 'cup of tea' break `at the exhibition. I'm sat just beneath the books area looking down the length of the West Gallery.

Some marvellous and colourful paintings by Bob Rudd of Iona and various other islands in the Hebrides feature on the end wall.